· 2010: [ Number 23 ]
· 2010: [ Number 22 ]
· 2008: [ Number 21 ]
· 2006: [ Number 20 ]
· 2004: [ Number 19 ]
· 2003: [ Number 18 ]
· 2002: [ Number 16 | Number 17 ]
· Volume 6 [ 6.15 ]
· Volume 4 [ 4.9 | 4.10 | 4.11 ]
· Volume 2 [ 2.1 | 2.2 | 2.3-4 ]
· Volume 1 [ 1.1 | 1.2 | 1.3 ]
|
|
|
DARKO SUVIN: A LIFE IN LETTERS |
|
|
|
|
|
|
|
|
|
|
|
A. Introductory |
|
|
|
|
|
Foreword: Crossing the Border with Darko Suvin, by Phillip E. Wegner |
9 |
|
|
1. |
|
Introduction (2010) |
21 |
|
|
2. |
|
Autobiography 2004: De Darci Natura |
29 |
|
|
|
|
|
|
|
|
|
|
B. Meeting Other Worlds (1969-87) |
|
|
|
3. |
|
The Moon as a Mirror to Man; Or, Lessons of Selenography (1969) |
35 |
|
|
4. |
|
Preliminary Theses on Allegory (1977) |
41 |
|
|
5. |
|
At the Cusp: Seven Poems of 1984 |
45 |
|
|
6. |
|
Two Uta Stories on Time (1984-85) |
49 |
|
|
7. |
|
How Can People Be (Re)Presented in Fiction? Towards a Theory of Narrative Agents (1980-85) |
53 |
|
|
8. |
|
13 Parables from the Warring States Period (1984-87) |
73 |
|
|
9. |
|
In the Doldrums: Nineteen Poems 1985-95 |
87 |
|
|
10. |
|
To the Japanese Reader of Metamorphoses of Science Fiction (1987) |
99 |
|
|
|
|
|
|
|
|
|
|
C. Around Theatre and Brecht (1988-2006) |
|
|
|
11. |
|
Brecht’s Life of Galileo: Scientistic Extrapolation or Analogy of the Knower? (1988-90) |
107 |
|
|
12. |
|
Brecht and Subjectivity: Stance, Emotion as Sympathy (1989-2006) |
133 |
|
|
13. |
|
On the Epistemology and Pragmatics of Intercultural Theatre Studies (1997) |
159 |
|
|
14. |
|
Centennial Politics: On Jameson on Brecht on Method (1998) |
187 |
|
|
15. |
|
Andromeda: Elegy from a Collapsar (1992) (More Lessons in Buddhist Cybermarxism) |
205 |
|
|
16. |
|
"I Have No Soul and I must laugh or cry": Interview on SF and Traveling with Tami Hager (2004) |
211 |
|
|
17. |
|
Circumstances and Stances: A Retrospect (2004) |
225 |
|
|
18. |
|
Poems of Old Age I (1999-2004): |
|
|
|
|
|
A. You, Giacomo Leopardi |
231 |
|
|
|
|
B. Eleven Poems |
239 |
|
|
19. |
|
The Final Chapter of SF?: On Reading Brian Stableford (2000) |
251 |
|
|
20. |
|
Access to An Identification of "Terrorism": Words and Actions |
263 |
|
|
21. |
|
Exploring "Terror/ism": Numinosity, Killings, Horizons (2004) |
281 |
|
|
22. |
|
12 Poems of Old Age II (2005-2010) |
307 |
|
|
23. |
|
Globalization (2008) |
315 |
|
|
24. |
|
Thus Spake the Bitter Muse: Do Not Profit by the Blood of your Fellows! (A Pastiche) |
321 |
|
|
25. |
|
Communism and Yugoslavia: Prolegomena for a Discussion |
331 |
|
|
26. |
|
Ausklang: My Lady Hope (2010) |
341 |
|
|
|
|
|
|
|
|
|
|
E. Two Bibliographies of Darko Suvin’s Works by Himself |
|
|
|
27. |
|
Bibliography A: Writings on SF and Utopia/nism |
343 |
|
|
28. |
|
Bibliography B: Poems and Prose |
355 |
|
|
|
|
THREE ASIAS - JAPAN, S. KOREA, CHINA |
|
|
|
|
|
|
|
|
|
|
|
Essays |
|
|
|
Karen Thornber |
|
Legitimacy and Community: Traveling Writers and Texts in Post-1945 East Asia |
7 |
|
|
Takayuki Tatsumi |
|
Introduction to Three Asias—Japan |
40 |
|
|
Mary A. Knighton |
|
The Melancholy Melodrama of "Honorary Whiteness": The Case of Yuasa Katsuei’s Colonial Fiction |
47 |
|
|
William O. Gardner |
|
From Parody to Simulacrum: Japanese SF, Regionalism and the Inauthentic in the Early Works of Komatsu Sakyo and Tsutsui Yasutaka |
65 |
|
|
Gayle K. Sato |
|
The Transpacific Gaze in The Tropic of Orange |
77 |
|
|
Rebecca Suter |
|
Japan/America, Man/Woman: Gender and Identity Politics in Adriane Tomine and Yoshihiro Tatsumi |
101 |
|
|
Colleen Montgomery |
|
Review of Mechademia 4: War/Time |
123 |
|
|
Colleen Montgomery |
|
Review of The Anime Machine: A Media Theory of Animation |
131 |
|
|
Tadashi Nagasawa |
|
Review of Sublime Voices: The Fictional Science and Scientific Fiction of Abe Kobo |
139 |
|
|
Ebihara Yutaka |
|
Review of Robot Ghosts and Wired Dreams |
147 |
|
|
Deborah Shamoon |
|
Review of Ogawa Issui’s The Lord of the Sands of Time |
153 |
|
|
Jina Kim |
|
Introduction to Three Asias—S. Korea |
157 |
|
|
Aryong Choi |
|
S. Korean Filmmaker Park Chan-wook: Interview and Reflections on Sympathy for Lady Vengeance |
171 |
|
|
Yun Mi Hwang |
|
Review of The South Korean Film Renaissance: Local Hitmakers, Global Provocateurs |
185 |
|
|
Jung-yup Lee |
|
Review of East Asian Pop Culture: Analysing the Korean Wave |
191 |
|
|
Susan Napier |
|
Review of Yellow Future: Oriental Style in Hollywood Cinema |
197 |
|
|
Zhang Zhen |
|
Introduction to Three Asias—China |
203 |
|
|
Kwai-Cheung Lo |
|
Historical Tensions in East Asian Popular Culture and the Roles of the State |
211 |
|
|
Laikwan Pang |
|
Hong Kong Cinema as Community: The Case of Eric Sang |
229 |
|
|
Ruoyun Bai |
|
Disrobing CCTV: Scandals, E’gao, and Resistance in China’s Cyberspace |
249 |
|
|
Ying Xiao |
|
"Hip Hop is my Knife, Rap is my Sword" |
269 |
|
|
Xiaoping Lin |
|
From Venice to Beijing: Art, Politics and Commerce |
299 |
|
|
|
|
URSULA K. LE GUIN |
|
|
|
|
|
|
|
|
|
|
|
Essays |
|
|
|
Sylvia A. Kelso |
|
Boldly to Re-Venture: New Writing on the Works of Ursula K. Le Guin |
6 |
|
|
Darko Suvin |
|
Cognition, Freedom, The Dispossessed as a Classic |
22 |
|
|
Beth Snowberger |
|
The Utopian Imagination: Ursula K. Le Guin and Super String Theorists |
49 |
|
|
Amy Clarke |
|
Tales from the Distaff: The Parallax View of Earthsea |
62 |
|
|
Vera Benczik |
|
Circles and Lines: The Voyage in Left Hand of Darkness |
74 |
|
|
Kathleen Keating |
|
The Lathe of Heaven as Le Guin's Book of Changes |
88 |
|
|
April Kendra |
|
On Almost Meeting Ursula Le Guin |
119 |
|
|
Ursula K. Le Guin |
|
Living in a Work of Art |
122 |
|
|
Richard D. Erlich |
|
Always Coming Home: Ethnography, unBible, and Utopian Satire |
136 |
|
|
Linda Wight |
|
Reconciliation in "The Matter of Seggri" |
166 |
|
|
Howard Sklar |
|
Sympathy as Self-Discovery: The Significance of Caring for Others in "Betrayals" |
184 |
|
|
Kasi Jackson |
|
Feminism, Animals, and Science in Le Guin's Animal Stories |
205 |
|
|
Jenny Gal-Or |
|
Articulating Ghost Stories: Haunted Humanity in Ursula K. Le Guin's "Newton's Sleep" |
231 |
|
|
Traci Thomas-Card |
|
Ursula Le Guin's "Sur": Defamiliarizing the Frontier |
249 |
|
|
Marleen S. Barr |
|
Changing Planes: The First Post 9/11 Feminist SF Text Embraces When It Changed |
270 |
|
|
Warren G. Rochelle |
|
A Wave in My Mind |
292 |
|
|
|
|
|
|
|
|
|
|
Reviews |
|
|
|
Mike Cadden |
|
Review of The New Utopian Politics of Ursula K. Le Guin's The Dispossessed |
309 |
|
|
|
|
TERRAINS VAGUES |
|
|
|
|
|
|
|
|
|
|
|
Essays |
|
|
|
Katherine & Lee Horsley |
|
Body Language: Reading the Corpse in Forensic Crime Fiction |
7 |
|
|
Eugenie Brinkema |
|
The Lady Van(qu)ishes: Interiority, Abjection, and the Function of Rape in Horror Film |
33 |
|
|
Steffen Hantke |
|
Consuming the Impossible Body: Horror Film and the Spectacle of Cinematic Special Effects |
66 |
|
|
Guy Crucianelli |
|
Painting the Life Out of Her: Aesthetic Integration and Disintegration in Jean Epstein's La Chute de la maison Usher |
80 |
|
|
Tom La Farge |
|
The Reader of Maps |
96 |
|
|
Carolyn A. Durham |
|
New Mysteries of Paris: The Riddling of the City in Cara Black's Detective Novels |
112 |
|
|
Jane Rosenberg LaForge |
|
Colson Whitehead: The Final Frontier |
129 |
|
|
Patricia K.L. Goon |
|
The Shared Bed of Slash and Science Fiction |
151 |
|
|
Julie Nash |
|
Whatever Walked There, Walked Alone: The Feminist Supernatural in Charlotte Perkins Gilman, Shirley Jackson, and Fay Weldon |
173 |
|
|
Timothy C. Campbell |
|
Violent Cities: Virility and B-Movie Fascism in the Cop Films of Umberto Lenzi |
185 |
|
|
Jonathan David York |
|
The Family Romance of the Numen: The Quest for the Unself in Altered States |
201 |
|
|
Rudolphus Teeuwen |
|
The Way We Live Now: David Damrosch's Meetings of the Mind |
219 |
|
|
Harold Jaffe |
|
Outcast Narrative |
235 |
|
|
Sylvia Kelso |
|
Evolutions of the Fantasy Hero in Peter Jackson's The Lord of the Rings and Lois McMaster Bujold's The Curse of Chalion |
247 |
|
|
Vittorio Frigerio |
|
Backwater of History: Alexandre Dumas and the Neapolitan Revolution of 1799 |
263 |
|
|
|
|
|
|
|
|
|
|
Reviews |
|
|
|
Brian Attebury |
|
Review of Shape-Shifting: Images of Native Americans in Recent Popular Fiction |
287 |
|
|
David Banash |
|
Review of Virtual Geographies: Cyberpunk at the Intersection of the Postmodern and Science Fiction |
291 |
|
|
Guy Crucinelli |
|
Review of Silent Film Sound |
296 |
|
|
Brian Evenson |
|
Review of Expelled From Eden: A William T. Vollman Reader |
301 |
|
|
Gwyneth Jones |
|
Review of Le Vampire dans la litterature du XXe siecle |
306 |
|
|
Steffen Hantke |
|
Review of The Horror Film |
312 |
|
|
Steffen Hantke |
|
Review of Fear Without Frontiers: Horror Cinema Across the Globe |
315 |
|
|
Harold Jaffe |
|
Fetish Sport |
318 |
|
|
Mark McGurl |
|
Review of Scorned Literature |
324 |
|
|
Jay McRoy |
|
Baseball, Hot Dogs, Apple Pie, and Severed Head: Review of Harold Jaffe's 15 Serial Killers |
328 |
|
|
Philip L. Simpson |
|
John Carpenter: No Respect? |
334 |
|
|
Rudolphus Teeuwen |
|
Review of La Terreur et le sacre: La nuit gothique americaine |
340 |
|
|
Gary Westfahl |
|
Review of Back in the Spaceship Again |
345 |
|
|
|
|
THE WESTERN |
|
|
|
|
|
|
|
|
|
|
|
Essays |
|
|
|
Homer B. Pettey |
|
Enduring Western Imagery in Popular Culture |
1 |
|
|
John Cawelti |
|
Myths and Fantasies of the West |
27 |
|
|
Harry Brown |
|
"A Scorned Outcast Thing": Mixed-Blood Outlaws in the Dime Novel |
41 |
|
|
Paul Reddin |
|
The Cowboy's Twisted Trail from Queen Victoria's Golden Jubilee to Playboy Magazine |
57 |
|
|
Eric L. Reinholtz |
|
Buster Keaton's Cervantic Westerns: Subversion of the Six-Gun Mystique |
79 |
|
|
Jennifer Lei Jenkins |
|
The Mexican Revolution as Western Vengeance Quest: Azuela's Los de Abajo |
94 |
|
|
Lee Clark Mitchell |
|
Why Monument Valley? (And Why Again and Again?): John Ford's Stagecoach and the Landscape of Time |
116 |
|
|
John Lenihan |
|
The Searchers: Now and Then |
147 |
|
|
Corless Smith |
|
Done in by Demographics: Why the Western Rode into the Sunset |
161 |
|
|
Homer B. Pettey |
|
Sacred Sites of Violence in the Western: Sam Peckinpah's The Wild Bunch |
175 |
|
|
Charles Sherry |
|
"The Theater of His Life": Wild Bill Hickock's Amor Fati |
201 |
|
|
Fred See |
|
Larceny, Swindle, Drought, Fire, Earthquake, Plague, Riot, Murder, Rape, Incest: Los Angeles as our Western Frontier |
211 |
|
|
|
|
|
|
|
|
|
|
Interviews |
|
|
|
Walon Greem |
|
Paradoxa Interview by Homer Pettey |
240 |
|
|
Max Evans |
|
Paradoxa Interview by Homer Pettey |
259 |
|
|
|
|
|
|
|
|
|
|
Reviews |
|
|
|
Jennifer Lei Jenkins |
|
Return of the Vanishing Native American |
285 |
|
|
Gretchen Ronnow |
|
Legends of the Hollywood West |
290 |
|
|
Carmen Ortiz Henley |
|
The Enigmatic John Ford, Western Director |
295 |
|
|
Jennifer Lei Jenkins |
|
What Lies Beneath |
303 |
|
|
Joanna Hearne |
|
Singing Cowboys, Minstrel Songs: A Review of Peter Stanfield's Hollywood, Westerns and the 1930s: The Lost Trail |
307 |
|
|
Gretchen Ronnow |
|
Positing Western History |
312 |
|
|
|
|
|
|
|
|
|
|
Bibliography |
|
|
|
Homer B. Pettey |
|
Selected Bibliography on the Western and the West, and Selected Filmography on the Western Film and Television Series |
317 |
|
|
|
|
FIFTIES FICTIONS |
|
|
|
|
|
|
|
|
|
|
|
Essays |
|
|
|
Josh Lukin |
|
Under Gray Flannel |
1 |
|
|
Cyndy Hendershot |
|
Cold War Confessions and the FBI Plant: The Amazing Lives and Myths of Matt Cvetic and Herbert Philbrick |
8 |
|
|
Tova Cooper |
|
Who's Been Duped? Communists, Kids and Dangerous Drawings in Entertaining Comics' "Cosmic Ray Bomb Explosion" |
24 |
|
|
Andrew Hoberek |
|
Sociology as Science Fiction |
81 |
|
|
Kurt Hemmer |
|
The Prostitute Speaks: Brenda Frazer's: Troia: Mexican Memoirs |
99 |
|
|
Victoria J. Hesford |
|
"A Love Flung Out of Space": Lesbians in the City in Patricia Highsmith's The Price of Salt |
118 |
|
|
Justine Larbalestier
& |
|
The Revolting Housewife: Women and Science Fiction in the 1950s |
136 |
|
|
Josh Lukin |
|
Patricia Highsmith's Strangers on a Train as Tragedy of Manners |
157 |
|
|
Stephanie Brown |
|
"If I Can Only Get It Funny!": The Postwar Primitive and Chester Himes' Parodic Protest Novel |
211 |
|
|
Holly Hutton |
|
Bullies and Humanists: Richard Wright's The Outsider |
234 |
|
|
Julia Creet |
|
Voyage from Lesbos: Aggression, Ambivalence, and Psychoanalysis in the Fifties |
251 |
|
|
Samuel R. Delany |
|
Velocities of Change |
279 |
|
|
|
|
|
|
|
|
|
|
Interviews |
|
|
|
Chandler Davis |
|
Paradoxa Interview by Josh Lukin |
49 |
|
|
Richard Matheson |
|
Paradoxa Interview by Jack O'Connell and Jim Sallis |
195 |
|
|
William Tenn |
|
Paradoxa Interview by Josh Lukin |
313 |
|
|
|
|
|
|
|
|
|
|
Reviews |
|
|
|
Christina Klein |
|
Review of Epic Encounters: Culture, Media, and U.S. Interests in the Middle East, 1945-2000 |
334 |
|
|
Tracy Floreani |
|
Review of White Diaspora: The Suburb and The Twentieth-Century American Novel |
338 |
|
|
James Morrow |
|
The Lore of the Ding-a-Lings: An Appreciation of W.T. Lhamon Jr.'s Deliberate Speed |
343 |
|
|
Brian McHale |
|
Review of Monsters, Mushroom Clouds, and the Cold War: American Science Fiction and the Roots of Postmodernism, 1946-1964 |
348 |
|
|
Ann Keefer |
|
Reviews of The Battle of the Sexes in Science Fiction |
373 |
|
|
L. Timmel Duchamp |
|
Review of Science Fiction Culture |
380 |
|
|
Elayne Tobin |
|
Review of The Post-Utopian Imagination: American Culture in the Long 1950s |
389 |
|
|
Wendy Pearson |
|
18 Thoughts on Better to Have Loved: The Life of Judith Merril |
395 |
|
|
|
|
|
|
|
|
|
|
Leslie Fiedler In Memoriam |
399 |
|
|
|
|
HORROR |
|
|
|
|
|
|
|
|
|
|
|
Essays |
|
|
|
Steffen Hantke |
|
Shudder as We Think |
1 |
|
|
Tricia Henry Young |
|
Bela Lugosi's Dead and I'm Not Feeling Too Good Either: The Politics and Aesthetics of Gothic Club Dancing |
10 |
|
|
Mark Wegley |
|
Fear Unknowable: Le Fanu's Contribution to the Literary Fantastic |
32 |
|
|
Tony Williams |
|
Domesticity as Horror: George A. Romero's Jack's Wife |
52 |
|
|
Michael Hoover & |
|
At the Hong Kong Hop: Mr. Vampire Spawns Bloodsucking Genre |
68 |
|
|
Ken Gelder |
|
Haitian Voodoo as a Postcolonial Symptom |
77 |
|
|
David Kirby |
|
Are We Not Men? The Horror of Eugenics in The Island of Dr. Moreau |
93 |
|
|
Eugene Thacker |
|
Biohorror/Biotech |
109 |
|
|
Jay McRoy |
|
There are no Limits: Splatterpunk, Clive Barker, and the Body in extremis |
130 |
|
|
Chantal Bourgault |
|
A Manifesto for Werewolves: What the Cyborgs Didn't Tell Us |
151 |
|
|
Kate Sullivan |
|
Meeting Monsters, Loving Men: Abjection and Community in Peter Straub's Ghost Story and Stephen King's "The Breathing Method" |
176 |
|
|
Sylvia Kelso |
|
Writing About On Writing |
200 |
|
|
Susan Poznar |
|
Judith Hawkes' Julian's House and the Possibilities of the Postmodern Ghost Story |
210 |
|
|
Rebecca Munford |
|
Re-vamping the Gothic: Representations of the Gothic Heroine in Angela Carter's Nights at the Circus |
235 |
|
|
David Annandale |
|
Guerilla Vamping: Vampyros Lesbos, the Becoming -- Woman of Women and the Unravelling of the Male Gaze |
257 |
|
|
David Scott Diffrient |
|
Narrative Mortality: The 'Fragmegrated' Corpse of the Horror Anthology Film |
271 |
|
|
|
|
|
|
|
|
|
|
Interviews |
|
|
|
Kathe Koja |
|
Paradoxa Interview by Steffen Hantke |
302 |
|
|
Graham Joyce |
|
Paradoxa Interview by Liz Williams |
314 |
|
|
Adam Simon |
|
Paradoxa Interview by Steven Schneider |
323 |
|
|
|
|
|
|
|
|
|
|
Reviews |
|
|
|
Paul Di Filippo |
|
Reviews of Lord of a Visible World: An Autobiography in Letters and The Annotated Supernatural Horror in Literature |
334 |
|
|
Kim Newman |
|
Review of 20th Century Horror |
338 |
|
|
Steffen Hantke |
|
Review of Psycho Paths: Tracking the Serial Killer Through Contemporary American Film and Fiction |
343 |
|
|
Michael Filas |
|
Review of False Positive |
348 |
|
|
Steffen Hantke |
|
Reviews of Cutting Edge: Art-Horror and the Horrific Avant-Garde |
354 |
|
|
Reynold Humphries |
|
Review of A Skin for Dancing In: Possession, Witchcraft and Voodoo in Film |
360 |
|
|
Philip L. Simpson |
|
Two Gore Auteurs: Reviews of Wes Craven: The Art of Horror, and Herschell Gordon Lewis, Godfather of Gore |
368 |
|
|
Christopher Morris |
|
Review of Hitchcock and Art |
372 |
|
|
Michael Arnzen |
|
Review of At the Foot of the Story Tree |
375 |
|
|
Steffen Hantke |
|
Review of Dark Dreamers: Facing the Masters of Fear |
381 |
|
|
|
|
DARK ALLEYS OF NOIR |
|
|
|
|
|
|
|
|
|
|
|
Essays |
|
|
|
Jack O'Connell |
|
That Sense of Impending Doom |
3 |
|
|
Jeanne Ewert |
|
Hardboiled (Had I but Known) |
11 |
|
|
Paula Geyh |
|
Enlightenment Noir: Hammett's Detectives and the Genealogy of the Modern (Private) "I" |
26 |
|
|
Woody Haut |
|
In the Thieves' Market: The Life and Times of A.I. Bezzerides |
48 |
|
|
Woody Haut |
|
John Fante: Between Two Worlds |
56 |
|
|
Jonathan Lethem |
|
Bibliography |
75 |
|
|
Sylvia Kelso |
|
Noir on Noir: Barbara Hambly's New Orleans Detective Novels |
80 |
|
|
Rob Latham |
|
VR Noir: Kim Newman's The Night Mayor |
95 |
|
|
Stanley Orr |
|
Late Victorian Adventure and Film Noir |
123 |
|
|
David Schmid |
|
Masculinity in the Novels of David Goodis |
153 |
|
|
JP Telotte |
|
Lost Memory and New Noir |
177 |
|
|
Helen M. Whall |
|
Walter Mosley and the Books of Ezekiel |
190 |
|
|
Trisha Yarbrough |
|
Jim Thompson's Rural Pulp Fiction |
203 |
|
|
|
|
|
|
|
|
|
|
Interviews |
|
|
|
Jonathan Lethem |
|
Paradoxa Interview by Shelley Jackson |
62 |
|
|
Robert Skinner |
|
Paradoxa Interview by Patrick Millikin |
110 |
|
|
|
|
|
|
|
|
|
|
Bibliography |
|
|
|
Norbert Spehner |
|
A Bibliography of Secondary Sources on Noir -- Novel and Film |
211 |
|
|
|
|
|
|
|
|
|
|
Reviews |
|
|
|
John H. Dorenkamp |
|
Reviews of The Critical Response to Dashiell Hammet and The Critical Response to Raymond Chandler |
230 |
|
|
Carl Freedman |
|
Review of America Noir |
236 |
|
|
Steffen Hantke |
|
Reviews of Die Lange Nacht der Schatten: Film Noir und Filmexil and M |
242 |
|
|
David Schmid |
|
Review of Murdering Masculinities |
247 |
|
|
Robert Skinner |
|
Review of The Life and Legend of Chester Himes |
255 |
|
|
B.R. Smith |
|
Review of PopLit, PopCult and The X-Files |
266 |
|
|
Vivian Sobchack |
|
Review of More Than Night: Film Noir In Its Contexts |
270 |
|
|
Michael Spingler |
|
Hedy Lamarr's Face: Review of Out of the Past |
277 |
|
|
Marcus Stiglegger |
|
Review of The Noir Thriller |
281 |
|
|
Alan Wald |
|
Review of Gumshoe America |
285 |
|
|
|
|
NATIVE AMERICAN LITERATURE |
|
|
|
|
|
|
|
|
|
Kathryn Shanley |
|
Introduction: "Born from the Need to Say": Boundaries and Sovereignties in Native American Literary and Cultural Studies |
3 |
|
|
Kathryn Shanley |
|
Interview with James Welch |
17 |
|
|
Valerie Adamcyk |
|
Revising the Captivity Narrative: Lost Bird of Wounded Knee |
38 |
|
|
Ellen L. Arnold |
|
Maps Over the Face of God: Remapping Epistemologies in Linda Hogan's Solar Storms |
49 |
|
|
Celia Naylor-Ojurongbe |
|
Contexted Common Ground: Cherokee Freedpeople's National Identity and Land Ownership in the Cherokee Nation, Indian Territory |
61 |
|
|
Duane Niatum |
|
The Transformational Tracks of a Marginalized Life |
75 |
|
|
Simona Fojtova |
|
Forging the Discursive Presence in Gerald Vizenor's Manifest Manners: Postindian Warriors of Survivance |
86 |
|
|
Peter Alan Froehlich & Joy Harris Philpott |
|
Leslie Marmon Silko's Ceremony: A Different Kind of Captivity Narrative |
98 |
|
|
Jane Haladay |
|
Solemn Laughter: Humor as Subversion and Resistance in Simon Ortiz and Carter Revard |
114 |
|
|
Mark Ingram |
|
Envisioning Anthropology: David MacDougall and the Next Culture |
132 |
|
|
Jennifer Lei Jenkins |
|
Hearths and Minds: Violence and Domesticity in a Hopi Life |
146 |
|
|
Roger Dunsmore |
|
The Power of Kinship |
158 |
|
|
Louis Owens |
|
As If an Indian Were Really an Indian: Uramericans, Euramericans, and Postcolonial Theory |
170 |
|
|
Jesse Peters |
|
A Multitude of Routes, Roads and Paths: Trans-cultural Healing in A.A. Carr's Eye Killers |
184 |
|
|
Beth Hege Piatote |
|
Bodies of Memory and Forgetting: "Putting on Weight" in Leslie Marmon Silko's Almanac of the Dead |
198 |
|
|
Malea Powell |
|
Imagining a New Indian: Listening to the Rhetoric of Survivance in Charles Eastman's From the Deep Woods to Civilization |
211 |
|
|
Linda Palen Ruzich |
|
"Sacred Thresholds": Transformation and Liminality in the Novels of Linda Hogan |
227 |
|
|
Elvira Pulitano |
|
Travelling the Hyperreality of Indian Simulations: Gerald Vizenor's Darkness in Saint Louis Bearheart |
241 |
|
|
Kimberly Roppolo |
|
Towards a Tribal-Centered Reading of Native Literature: Using Indigenous Rhetoric(s) Instead of Literary Analysis |
263 |
|
|
Kimberly Roppolo |
|
Wisdom of the Elders |
275 |
|
|
Geary Hobson |
|
Statement: Indian Academics must Speak for Themselves |
279 |
|
|
P. Jane Hafen |
|
Statement: More than Intellectual Exploration |
280 |
|
|
Jeane Breinig |
|
Statement: To Native Scholars, Just Starting Out |
281 |
|
|
Clifford E. Trafzer |
|
Statement: Sharing with Native Communities and Elders |
282 |
|
|
Carol Miller |
|
Statement: Academe as Indian Country |
283 |
|
|
Louis Owens |
|
Statement: Part and Whole: Dangerous Bifurcations |
286 |
|
|
Vine Deloria |
|
Statement: No More Free Rides |
287 |
|
|
Martha Barter |
|
Review: The Insistence of the Indian: Race and Nationalism in 19th Centurry American Culture |
288 |
|
|
Susan Bernardin |
|
Review: Leslie Marmon Silko: A Collection of Critical Essays |
292 |
|
|
Andrew Denson |
|
Review: The Voice of the Dawn: An Autohistory of the Abenaki Nation |
297 |
|
|
Robert F. Gish |
|
Review: The Rock Island Hiking Club. Poems by Ray A. Young Bear |
300 |
|
|
Carol Miller |
|
Review: Louise Erdrich, A Critical Companion |
306 |
|
|
Jack Weaver |
|
Review: Coyote Kills John Wayne |
310 |
|
|
|
|
POTPOURRI REDUX |
|
|
|
|
|
|
|
|
|
Lauric Guillaud |
|
Fantasy and Decadence in Clark Ashton Smith |
189 |
|
|
Peter H. Goodrich |
|
Sorcerous Style in Clark Ashton Smith |
213 |
|
|
William Schnabel |
|
Dioscuri and the Self's Monstrous Double |
226 |
|
|
Gwyneth Jones |
|
Chosen Among the Beautiful |
245 |
|
|
Elizabeth Vonarburg |
|
Fantasy: An Apologia for French Critics |
259 |
|
|
Norbert Spehner |
|
Conan the Librarian: A Selected Bibliography |
270 |
|
|
Colin Greenland |
|
Paradoxa Interview with Peter Beagle |
288 |
|
|
Vittorio Frigerio |
|
The Foreign Solution |
303 |
|
|
Stephanie Burley |
|
The Racial Politics of Category Romance |
324 |
|
|
Patrick A. McCarthy |
|
Do Androids Dream of Magic Flutes |
344 |
|
|
Rosaleen Love |
|
The Accidental Futurist |
353 |
|
|
Steve Tomasula |
|
Fiction at the Millennium |
360 |
|
|
Scott Bukatman |
|
Now Where is England? |
377 |
|
|
Brian Attebery |
|
Review of Women of Other Worlds |
383 |
|
|
Neal Baker |
|
Review of Deep Space and Sacred Time |
386 |
|
|
Brian Evanson |
|
Review of The Tales We Tell |
389 |
|
|
Steffan Hantke |
|
Review of American Magic and Dread |
393 |
|
|
Gwyneth Jones |
|
Review of Ça se lit comme un roman policier |
397 |
|
|
Gwyneth Jones |
|
Review of The Grail Legend |
403 |
|
|
Rosaleen Love |
|
Review of Strange Constellations |
408 |
|
|
Patrick A. McCarthy |
|
Review of Arthur C. Clarke: A Critical Companion |
412 |
|
|
Scott McQuire |
|
Review of From Pure Visibility to Virtual Reality |
415 |
|
|
Patrick Millikin |
|
Review of Word Made Flesh |
419 |
|
|
Kay Mussell |
|
Review of Scheherazade's Sisters |
423 |
|
|
Alison M. Scott |
|
Review of North American Romance Writers |
426 |
|
|
Sarah Smith |
|
Review of Detecting Texts |
429 |
|
|
Nancy A. Walker |
|
Review of Old Wives' Tales |
432 |
|
|
|
|
AUTHOR INDEX |
|
|
|
|
|
THE DIVINELY HUMAN COMEDY OF JAMES MORROW |
|
|
|
|
|
|
|
|
|
James Winchell |
|
Introduction: Paradoxologies |
3 |
|
|
F. Brett Cox |
|
The Brute Facticity of the Corpse: James Morrow, Science Fiction Writer |
16 |
|
|
Alex Irvine |
|
Towing Jehovah: Atheism, Orthodoxy, and Genre |
24 |
|
|
Elisabeth Vonarburg |
|
Evil, Justice, Suffering, and God: the Dilemma of Difference when Reading James Morrow |
38 |
|
|
Richard Elliott Friedman |
|
The Novelist and the Philologist, or, Nothing Happens by Chance Anymore |
42 |
|
|
James Morrow |
|
Raiders of the Lost Novel: An Appreciation of Richard Elliott Friedman's The Hidden Book in the Bible |
52 |
|
|
Michael Bishop |
|
James Morrow and Towing Jehovah: A Profile/Review |
59 |
|
|
Fiona Kelleghan |
|
The Rhetoric of Humor in James Morrow's The Wine of Violence |
69 |
|
|
Michael Swanwick |
|
Taken Gently By The Hand: James Morrow's "Arms and the Woman" |
88 |
|
|
Bill Sheehan |
|
Of Lunacy and Sorrow: Comedy and Tragedy in James Morrow's
City of |
95 |
|
|
Brian Stableford |
|
Lord, What Fools These Mortals Be! Confrontation with Death in The Eternal Footman |
105 |
|
|
George Aichele |
|
An Apology for the Madman, or the Death and Further Adventures of Jehovah |
117 |
|
|
Samuel R. Delany |
|
Paradoxa Interview with James Morrow: Blinded by the Enlightenment |
132 |
|
|
James Morrow |
|
A Vulnerable Atheist: The Author Responds to His Interpreters |
150 |
|
|
|
|
Corpus Morrowi James Morrow's Complete Bibliography |
162 |
|
|
|
|
THE FUTURE OF NARRATIVE |
|
|
|
|
|
|
|
|
|
Lance Olsen |
|
375 |
|
|
|
Samuel R. Delany |
|
Texts & Questions: Paradoxa Interview |
384 |
|
|
Sylvia Kelso |
|
Whaddaya Mean, "Narrative"? |
431 |
|
|
Ursula K.LeGuin |
|
Fact and/or/plus Fiction |
451 |
|
|
Kumiko Yoshioka |
|
Welcome to the Future: Always Coming Home |
460 |
|
|
Harold Jaffe |
|
Slash and Burn: A Narrative Model for the Millenium |
477 |
|
|
Catherine Halley |
|
A Dominatrix's Discourse: A Sadistic |
487 |
|
|
Steven Shaviro |
|
Intrusions: Lost Highway and the Future of Narrative |
501 |
|
|
Michael Joyce |
|
510 |
|
|
|
Shelley Jackson |
|
Stitch Bitch: The Patchwork Girl |
526 |
|
|
Brooks Landon |
|
Not Your Father's Olds: Subverting the Semblance in the Age of Avant-Pop |
539 |
|
|
Larry McCaffery |
|
Avant-Crit and the Advent of Theory in a Musical Idiom: A Paradoxa Polylogue |
556 |
|
|
Brian Evenson |
|
Review of Some Other Frequency |
603 |
|
|
|
|
Review of Federman from A to X-X-X-X |
609 |
|
|
|
|
Author Index to Volume 4 |
|
|
|
|
|
METAFICTION |
|
|
|
|
|
|
|
|
|
Brian Attebery |
|
183 |
|
|
|
Ellen Kushner & Delia Sherman |
|
On the Taconic |
191 |
|
|
Helen Flavell |
|
Fictocriticism: The End of Criticism as We Write It? |
195 |
|
|
|
|
Another Cause of Misunderstanding is the Absence of Anything One Could Confidently Name a Moral |
203 |
|
|
Bryan Vescio |
|
On Saying Nothing: Derrida and the Violence of Interpretation |
207 |
|
|
John Clute |
|
What I Did on my Summer Vacation |
223 |
|
|
Rosaleen Love |
|
Ursula K. Le Guin and Therolinguistics |
229 |
|
|
Michael Arnzen |
|
The Misery of Influence |
235 |
|
|
Sylvia Kelso |
|
Typescript Found at a Check-out Counter |
251 |
|
|
Steve Lehman |
|
Sounding the Science Fiction of |
267 |
|
|
Eleanor Arnason |
|
Introduction to Ten Examples of Hwarhath Fiction |
275 |
|
|
|
|
Feeding the Mother: A Hwarhath Religious Anecdote |
280 |
|
|
Robin McAllister |
|
Borges' Prisoner of Reading |
281 |
|
|
Jeanne Larsen |
|
The Tale of Jian Lu-Sen: Metafiction and Other Border Crossings |
303 |
|
|
Brian Attebery |
|
Critical Fictions |
318 |
|
|
|
|
|
|
|
|
|
|
Interview |
|
|
|
Nicola Griffith |
|
Paradoxa Interview |
332 |
|
|
|
|
|
|
|
|
|
|
Reviews |
|
|
|
Neal Baker |
|
Review of Babel Handbooks on Fantasy and SF Writers |
343 |
|
|
Neal Baker |
|
Lifeboat on a Burning Sea? Review of Nebula Awards 32 |
346 |
|
|
John Cawelti |
|
Two Regions in Search of Identity: Review of Ten Most Wanted: The New Western Literature |
349 |
|
|
Keyan Tomaselli |
|
Review of James Iaccino's Jungian Reflections Within the Cinema |
357 |
|
|
|
|
|
|
|
|
|
|
POSTMODERN POTPOURRI |
|
|
|
|
|
|
|
|
|
John Cawelti |
|
(Post)Modern Westerns |
3 |
|
|
Josh Lukin |
|
Aspects of the Western Hero in Jim Thompson's The Killer Inside Me |
29 |
|
|
Paul Bleton |
|
Western Fiction in French Popular Literature |
42 |
|
|
Norbert Spehner |
|
Wanted! A Selective Roundup of Secondary Sources About the Western - Novel and Film |
49 |
|
|
Steffen Hantke |
|
The Art of Being In Between: Canonicity in Jack O'Connell's "Glamorized Shoot 'Em Ups" |
61 |
|
|
Jack O'Connell |
|
Paradoxa Interview |
78 |
|
|
Charlotte Spivak |
|
The Fantastic Imagination in Literature |
89 |
|
|
Vittorio Frigerio |
|
The Illuminatus! Trilogy, and Bachelli's Il Sommergibile: Literary Synchronicity and the Case of the Disappearing Anarchist |
103 |
|
|
Mark Whalan |
|
The Literary Detective in Postmodernity |
119 |
|
|
Tania Modleski |
|
My Life as a Romance Writer |
134 |
|
|
Kay Mussell |
|
Kay Mussell Replies to Tania Modleski |
145 |
|
|
Jeffrey Kahan |
|
Paradoxa Interview with Robert Bloch: Author of Psycho |
148 |
|
|
James Winchell |
|
Leaving the Museum: Review of Samuel R. Delany's Longer Views: Extended Essays |
155 |
|
|
Vittorio Frigerio |
|
Review of Barbey d'Aurevilly et le fantastique |
161 |
|
|
Neal Baker |
|
Terminal Experiments: Review of Nebula Awards 31 |
166 |
|
|
M. Thomas Inge |
|
Review of Southern Writers at Century's End |
170 |
|
|
|
THE UNCANNY |
|
|
|
|
|
|
|
|
|
Michael Arnzen |
|
315 |
|
|
|
William Paul |
|
Uncanny Theater |
321 |
|
|
Lesley Stern |
|
I Think Therefore I ... Somersault: Film and the Uncanny |
348 |
|
|
Martin Norden |
|
The Uncanny Film Image of the Obsessive Avenger |
367 |
|
|
Elizabeth Coffman |
|
Uncanny Performances in Colonial Narratives: Josephine Baker in Princess Tam Tam |
379 |
|
|
Anneleen Masschelein |
|
Double Reading/Reading Double: Psychoanalytic Poetics at Work |
395 |
|
|
Isabel Pinedo |
|
The Wet Death and the Uncanny |
407 |
|
|
Steven Schneider |
|
Uncanny Realism and the Decline of the Modern Horror Film |
417 |
|
|
Barry K. Grant |
|
Paradoxa Interview |
429 |
|
|
Gesa Mackenthun |
|
Haunted Real Estate |
438 |
|
|
Sylvia Kelso |
|
The Postmodern Uncanny: or, Establishing Uncertainty |
456 |
|
|
Maria Aline Ferreira |
|
The Uncanny (M)other: Angela Carter's The Passion of New Eve |
471 |
|
|
Karen Coats |
|
Underwriting the Uncanny: The Role of Children's Literature in the Economy of the Subject |
489 |
|
|
George Aichele |
|
Postmodern Fantasy, Ideology, and the Uncanny |
498 |
|
|
James Winchell |
|
Century of the Uncanny |
|
|
|
Terry Castle |
|
Paradoxa Interview |
521 |
|
|
Scott McQuire |
|
The Uncanny Home: Television, Transparency, and Overexposure |
527 |
|
|
|
|
|
539 |
|
|
Sheila Kunkle |
|
The Uncanny Effects of Cruelty |
556 |
|
|
Michael Arnzen |
|
Supermarketing the Uncanny: Anxiety at the Point-of-Sale |
571 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
WHERE'S LOVE GONE? |
|
|
|
|
|
|
|
|
|
Kay Mussell |
|
Where's Love Gone? |
3 |
|
|
Tania Modleski |
|
My Life as a Romance Reader |
15 |
|
|
Beth Rapp Young |
|
Accidental Authors, Random Readers, and the Art of Popular Romance |
29 |
|
|
Jayne Ann Krentz |
|
Paradoxa Interview |
46 |
|
|
Lynn Coddington |
|
Wavering Between Worlds: Feminist Influences in the Romance Genre |
58 |
|
|
Barbara Samuel |
|
The Art of Romance |
78 |
|
|
Jennifer Crusie Smith |
|
Romancing Reality: The Power of Romance to Reinforce and Re-vision the Real |
81 |
|
|
Sandra Marie Booth |
|
Popular Romance in the 1990's: the Paranormal vs. Feminist Humor |
94 |
|
|
Deborah K. Chappel |
|
LaVyrle Spencer and the Anti-Essentialist Argument |
107 |
|
|
Harriet Margolis |
|
A Childe in love, or Is It Just Fantasy? |
121 |
|
|
Pamela Regis |
|
Barrier and Point of Ritual Death in Nora Roberts' Category Fiction |
145 |
|
|
Nora Roberts |
|
Paradoxa Interview |
155 |
|
|
Sylvia Kelso |
|
Stitching Time: Feminism(s) and 30 Years of Gothic Romances |
164 |
|
|
Barbara G. Mertz |
|
Paradoxa Interview |
180 |
|
|
Julia Bettinotti and Marie-Francoise Truel |
|
Lust and Dust |
184 |
|
|
Gabriele Linke |
|
Contemporary Mass Market Romances as National and International Culture |
195 |
|
|
Janet Dailey |
|
Paradoxa Interview |
214 |
|
|
Patricia Koski, Lori Holyfield, Marcella Thompson |
|
Romance Fiction as Women's Myth |
219 |
|
|
Sara Webster Goodwin |
|
Romance and Change: Undergraduate Culture |
233 |
|
|
Victoria Badik |
|
On Using Genre Fiction in Bibliotherapy |
242 |
|
|
Kay Mussell |
|
On-Line Romance |
246 |
|
|
Kathleen Giles Seidel |
|
Half-Risen Venus |
250 |
|
|
Norbert Spehner |
|
L'Amour, toujours l'amour |
253 |
|
|
|
|
|
|
|
|
|
|
Related Articles |
|
|
|
Robert Ellrich |
|
Prolegomenon |
269 |
|
|
Darby Lewes |
|
[C]loathing Womanhood |
286 |
|
|
|
|
CENSORSHIP IN CHILDREN'S LITERATURE |
|
|
|
|
|
|
|
|
|
Alleen Pace Nilsen |
|
Focus on Censorship |
307 |
|
|
Hamida Bosmajian |
|
Children's Literature and Censorship |
313 |
|
|
Donna Batycki |
|
Systemic Censorship |
318 |
|
|
Erik Haugaard |
|
Censorship and the Author |
328 |
|
|
Jeri Kroll |
|
Gillian Rubinstein's Beyond the Labyrinth |
332 |
|
|
David Russell |
|
Hope Among the Ruins |
346 |
|
|
John Stephens and Robyn McCallum |
|
Pruning the |
357 |
|
|
Millicent Lenz |
|
Rushdie's Haroun and the |
369 |
|
|
Maria Nikolajeva |
|
The "Serendipity" of Censorship |
379 |
|
|
Midori Todayama |
|
Censorship in |
387 |
|
|
Maj Asplund Carlsson |
|
Gummy Tarzan in the School Library |
393 |
|
|
Joan Gibbons |
|
Censorship and Selection in |
399 |
|
|
Christiane Bimberg |
|
A German View of the British Classics |
406 |
|
|
Elizabeth Rosa Horan |
|
Redeploying the Spanish Lullaby |
411 |
|
|
Meni Kanatsouli |
|
Censorship in |
420 |
|
|
Rod McGillis |
|
Cultural Censorship |
426 |
|
|
Margarita Slavova |
|
Fairy Tale as Cinderella |
429 |
|
|
Christa Kamenetsky |
|
Censorship in Totalitarian States |
434 |
|
|
Alexandra Zervou |
|
The Game of Rules and Infractions |
452 |
|
|
Ken Donelson |
|
Censorship and Adolescent Literature |
472 |
|
|
Marilyn Fain Apseloff |
|
Lois Lowry: Facing the Censors |
480 |
|
|
Jerry Griswold |
|
Desexualizing Tom Sawyer |
486 |
|
|
Nancy Huse |
|
Because the Rianbow in Not Enuf |
490 |
|
|
Alleen Pace Nilsen |
|
M.E. Kerr: Awakening Her Readers |
494 |
|
|
Maureen Nimon |
|
Censorship vs. Selection in |
506 |
|
|
Hamida Bosmajian and Ken Donelson |
|
Resources on Censorship |
511 |
|
|
|
|
|
|
|
|
|
|
Articles, Reports, Queries |
|
|
|
Mike Cadden |
|
Speaking Across the Spaces Between Us |
516 |
|
|
Ursula K. Le Guin |
|
Concerning Dinosaurs |
531 |
|
|
Richard C. Lewontin |
|
Response to "Concerning Dinosaurs" |
533 |
|
|
Rita Rippetoe |
|
Dorothy Sayers Harriet Vane Novels |
534 |
|
|
James Winchell |
|
Fictions of Science |
542 |
|
|
Sylvia Kelso |
|
WisCon 20 |
551 |
|
|
Jacques Goimard |
|
Query |
556 |
|
|
|
|
Index to Volume 2 |
|
|
|
|
|
|
|
|
|
|
|
Editorial Pages |
|
|
|
|
|
|
|
|
|
Samuel R. Delany |
|
Introduction to Some Papers on ... Sex |
149 |
|
|
|
|
|
|
|
|
|
|
Articles |
|
|
|
Michael Perkins |
|
Approaches to an Aesthetic of Erotic Writing as Literary Art |
154 |
|
|
Pat Califia |
|
Pornography as a Literature of Female Liberation |
166 |
|
|
Candas Jane Dorsey |
|
On Being Your Own Pornographer |
191 |
|
|
Jeffery Kahan |
|
Violating Hippocrates: Dildoes and Female Desire in Thomas Nashe's "The Choice of Valentines" |
204 |
|
|
Neil Hartlen |
|
Out of the Courts and Into the Press: An
Analysis of Media Representations of Little Sister's vs. |
217 |
|
|
Norbert Spehner |
|
(S)ex-libris |
234 |
|
|
Sophie Geoffroy-Menoux |
|
Angela Carter's The Bloody Chamber: Twice Harnasses Folk-Tales |
249 |
|
|
Sylvia Kelso |
|
Take Me For a Ride in your ManEater: Gynophobia in Stephen King's Christine |
263 |
|
|
Danielle St-Laurent |
|
Arms, Charms, and Sexy Peril |
276 |
|
|
|
|
|
|
|
|
|
|
Diverse |
|
|
|
|
|
Letters |
295 |
|
|
|
|
Call for Papers |
297 |
|
|
|
|
Editorial Pages |
|
|
|
|
|
|
|
|
|
Victor W. Reinking |
|
This Issue and the Next |
3 |
|
|
|
|
|
|
|
|
|
|
"Cities of the Future" -- Essays |
|
|
|
|
|
Theme Parks and Urban Growths |
6 |
|
|
Greg Bear |
|
|
10 |
|
|
Steve Brown |
|
The |
16 |
|
|
John Clute |
|
"City" and "Urban Fantasy" |
19 |
|
|
Samuel R. Delany |
|
A Future Narrative of Cities |
27 |
|
|
Kathleen Ann Goonan |
|
Cities of the Future? |
30 |
|
|
Nicola Griffith |
|
Layered Cities |
36 |
|
|
Eileen Gunn |
|
Smoke and Mirrors: Creating the City |
41 |
|
|
David Hartwell |
|
Cities of Science Fiction |
43 |
|
|
Kim Stanley Robinson |
|
Cities in the Overshoot |
44 |
|
|
Bruce Sterling |
|
The Virtual City |
46 |
|
|
Takayuki Tatsumi |
|
|
61 |
|
|
Elisabeth Vonarburg |
|
Cities of the Future |
73 |
|
|
Richard Woods |
|
Once and Future Cities |
81 |
|
|
|
|
|
|
|
|
|
|
Articles |
|
|
|
Marilyn Jurich |
|
"Solus Solo" The Monster Self: Solipsism in Peer Gynt, Grendel, Perfume |
84 |
|
|
Jacques Chouleur |
|
True Heroes that Never Were |
110 |
|
|
|
|
|
|
|
|
|
|
Dialogue |
|
|
|
James Winchell |
|
Overdetermined Indeterminacy |
120 |
|
|
Michael Arnzen |
|
Uncanny Self-Reflexivity |
129 |
|
|
|
|
|
|
|
|
|
|
Reviews |
|
|
|
|
|
Women of Women of Wonder |
138 |
|
|
|
|
|
|
|
|
|
|
Diverse |
|
|
|
|
|
SFRA Pilgrim Award Presentation |
138 |
|
|
Vivian Sobchack |
|
1995 SFRA Pilgrim Award Acceptance |
140 |
|
|
|
|
|
|
|
|
|
|
Editorial Pages |
|
|
|
|
|
|
|
|
|
Lauric Guillaud |
|
This Issue and the Next |
255 |
|
|
|
|
|
|
|
|
|
|
Interview |
|
|
|
Samuel R. Delany |
|
Paradoxa Interview |
257 |
|
|
|
|
|
|
|
|
|
|
Articles |
|
|
|
C.W. Sullivan III |
|
Marginalizing the Fantastic |
287 |
|
|
Lauric Guillaud |
|
Paranormal Detectives |
301 |
|
|
Michael Moorcock |
|
Fritz Leiber |
320 |
|
|
Bennett Lovett-Graff |
|
Reproduction and its Discontents |
325 |
|
|
Michael A. Arnzen |
|
"Behold the Funhole" |
342 |
|
|
Jean Marigny |
|
Eros in the Novels of Anne Rice |
352 |
|
|
Pamela Sargent |
|
The Historical Novelist and History |
363 |
|
|
R.C. Harvey |
|
Understanding Understanding Comics |
375 |
|
|
|
|
|
|
|
|
|
|
Reviews |
|
|
|
Jean-Charles Pichon |
|
Un Temps trop tot |
385 |
|
|
Jean-Paul Debenat |
|
A Note on Jean-Charles Pichon |
390 |
|
|
Bennett Lovett-Graff |
|
The Supernatural and English Fiction |
391 |
|
|
|
|
|
|
|
|
|
|
Diverse |
|
|
|
|
|
Letters |
394 |
|
|
Ellen Datlow |
|
Call for Papers: Year's Best Fantasy and Horror |
395 |
|
|
Daniel Cougnas |
|
Jean-Claude Vareille: In Memoriam |
396 |
|
|
|
|
Author Index to Volume 1 |
|
|
|
|
|
Editorial Pages |
|
|
|
|
|
|
|
|
|
Lauric Guillaud |
|
Editor's Pages |
105 |
|
|
|
|
|
|
|
|
|
|
Donald M. Hassler, 108; Charles Nicol, 110; Pamela Sargent, 112 |
|
|
|
|
|
|
|
|
|
|
|
Articles |
|
|
|
Alain-Michel Boyer |
|
For a Poetics of Paraliterature, Part II: Paraliterature and Rhetoric |
116 |
|
|
Marc Lits |
|
The Classical Origins and the Development of the Detective Novel Genre |
126 |
|
|
Bill Pronzini & Jack Adrian |
|
On Hard-Boiled Crime Fiction |
145 |
|
|
Robert Conrath |
|
Pulp-Fixation: The Hard-Boiled American Crime Novel and its French Public |
161 |
|
|
Barbara Wilson |
|
The Outside Edge: Lesbian Mysteries |
176 |
|
|
Paul Bleton |
|
French Espionage, Spy Fiction, and Readers in the 1930's |
187 |
|
|
Paul Bleton |
|
French Espionage -- Bibliography |
210 |
|
|
Charles Nicol |
|
Frank Lloyd Wright and Mr. Moto |
224 |
|
|
Charles Givel |
|
Populaire (Reflexions) |
231 |
|
|
|
|
|
|
|
|
|
|
Reviews |
|
|
|
Lauric Guillaud |
|
Fantastique -- Fiction, by Charles Grivel |
238 |
|
|
|
|
|
|
|
|
|
|
Letters |
240 |
|
|
|
|
Editorial Pages |
|
|
|
|
|
|
|
|
|
Lauric Guillaud |
|
Editor's Welcome |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Interview |
|
|
|
Ursula K. Le Guin |
|
A Conversation with Ursula K. Le Guin |
39 |
|
|
|
|
|
|
|
|
|
|
Articles |
|
|
|
Alain-Michel Boyer |
|
For a Poetics of Paraliterature, Part I: Paraliterature and the Oral Tradition |
58 |
|
|
Robert Ellrich |
|
High and Low, Good and Bad: An Exercise in Paracriticism |
74 |
|
|
James Winchell |
|
Plural Author(ity): Ecriture from the Black Lagoon |
85 |
|
|
Daniel Cougnas |
|
A Paraliterary Pattern |
90 |
|
|
Duane Wilkins |
|
Shelving Wars, or The Politics of "Genrefication" |
93 |
|
|
|
|
|
|
|
|
|
|
Reports and Reviews |
|
|
|
Ursula K. Le Guin |
|
Readercon '94 |
96 |
|
|
|
|
|
|
|
|
|
|
Bibliography |
|
|
|
Norbert Spehner |
|
A Selected Bibliography of Paraliterary Critical Works |
97 |
|